I meant, but due to events, never got around to, write a few words about the music festival that takes place here each year. It’s become an annual ritual to attend the three-day event and although I love music, seeing many live performances over time, it’s the only festival apart from The Isle of Wight in 1969 that I’ve been to. Not that I was put off by that experience, it was something, for one reason or another, until recently that is, that was never destined be repeated.
My memories of Dylan and The Band’s appearance in that field at Wootton way back when, are a little dim now. We made the trip over from Portsmouth on a paddle steamer, that I do recall. I have a recollection of walking to the site in a straggling raggle taggle procession and once there, thinking that the vast gathering was like some medieval army, at rest before a battle, with groups of comrades huddled together under wind-whipped banners - make-shift flags raised to mark a place in the crowd - for without that marker, friends could be lost and misplaced for hours, days, maybe even for ever.
The picture I carry of Dylan’s performance is of a stage, some quarter-of-a-mile distant, glowing in the fading dusk light, and a tiny figure, dressed head-to-toe in white, shining like some returned messiah: At least, that’s how he had been hailed by many at the time. He sang many of his familiar songs in an unfamiliar way, changing the arrangements and tempo, so that you found yourself listening hard for the clues that may lead to a song’s identity. This was something that performers didn’t really do back then, content to churn out their best loved works note for note, delivered to expectant and adoring fans who were there to pay homage and not to be challenged in such a way.
But Bob had not dragged himself from live performance exile and travelled three thousand miles merely to please by repeating past glories. He had come to move things on, for the sake of himself and his audience. In his own words: It's easy to see without looking too far that not much is really sacred. And that included his own songs, for which treason, some never forgave him. ‘Judas’ one such forsaken disciple had famously cried out a few years before, when Dylan cast aside acoustic ‘folk’ and dared to surround himself with those playing the devil’s music on electric guitars.
Since those halcyon days, my encounters with live events were confined to the great indoors, venues with ceilings, so depriving myself the opportunity to lay back and count the stars as the music washed over me. This all changed when festivals got local.
It started small. Billed as a ‘Folk and Blues Festival’, a mild deceit contrived to calm any hostile opposition from nearby residents and the local authority, too easily spooked by the spectre of rock music and worse, it has long since cast off any pretence and is way past the point of no return. That is, as long as the many rules, regulations, acts, laws, edicts, commandments, are not breached or broken. Not easy in this age of never ending legislation, but so far, successfully achieved.
Known as ‘the friendly festival’, its demographic is broad. It will never rival Glastonbury, Reading, or T in the Park, either in numbers attending or artists performing. It is now regularly sponsored by Radio 2, which sums up its appeal. The headlining acts are established, and guaranteed to please. There’s something there for everyone, except those at the sharp end of musical tastes. But that’s okay; no-one’s forced to go along. But go along we do, happy to be entertained, in increasing numbers with each year that passes.
The second stage, that reserved for the up and coming, niche and solo acts, is where most of my time is spent. This year I witnessed a blistering turn by Richard Thompson. His guitar playing was staggering enough, but coupled with the vocal rendition of his self-penned songs, it was hard to believe that this was a man alone on the stage. He swept up the watching crowd with the first few chords and held them fast, transporting each of us through an hours worth of flawless artistry that jumped straight into the top end of my ‘best ever’ chart with a bullet. Right up there with the Who at the LCP, Hendrix at Chatham Town Hall, Zeppelin at the Royal Albert Hall, Ry Cooder at…? someplace, Paul Weller at Guildford Civic and Arthur Lee’s Love at this very festival three years ago. There are others that with a moment’s pause I could add, but you get the drift.
Last year on the same stage, I was thrilled to see Chuck Prophet: Admittedly not a household name, but a firm favourite of mine nonetheless. And this is the point. The opportunity of seeing those that have only been known on a recording as well as those, that hitherto, have been unknown. All within walking distance of my own front door.
Close second to the music, occasionally eclipsing it, are the people that constitute the audience. Many, myself included, are unremarkable: Ordinary folk who turn up and outwardly at least, appear to bear no signs of extreme eccentricity, abnormal behaviour or questionable habits. Others however are exceptions to this.
First, there are the big hairy men with shaved heads and tattoos, most likely in the building trade or a job that constitutes hard manual labour, that appear to have an irrepressible urge to toss aside conventional clothing and turn up dressed as Tinkerbelle. But although they dress as fairies, it would take a brave and foolish observer to address them as such: Then again, maybe not. He that dresses as a fairy IS a fairy: If only for a day.
Then there are the weekend hippies. This is most evident in males. It’s the regulation corporate office hairstyle that gives them away. Females in the same situation can get away with keeping their hair long, but the fellas have to tow the company line. This can go unnoticed in standard weekend casual attire, but slip into a tie-dye and pull on a pair of paisley loons and the game’s up. Of course, there is always the option of flippity, floppity hat to cover the evidence and there are certainly silly hats a-plenty on view. Everything from home-knitted rainbow bobbles to the three-foot high wizard king. But however successful the disguise, I guess if a man has to spend the week trussed up in a suit, collar and tie and black brogues it fulfils some otherwise dormant inner need to break out the bells, beads and corduroy and trip along dressed as Donovan in his mellow yellow period.
My favourite character is the one known as Moses. Well, that’s what I call him. Not that I’ve ever spoken to him you understand, but looking the way he does, he surely can’t be a Nigel or Terry. A man senior in years, he strides around the site resplendent in multi-coloured flowing robes, snow-white flowing hair and matching beard, carrying a staff topped with a skull, its ruby eyes a-flashing. Always a sweet smile on his weather beaten face, he radiates peace and love to all who fall within his kindly gaze. Every year I look out for him and, sure enough, there he is, beaming good vibrations back at me. And long may he continue to do so.
Moses falls into the category of semi-professional festival goers. This being the only such gathering I attend, I have no proof of this, but I’m sure that if I were to do the summer circuit I would see familiar faces turning up from Scotland to Cornwall. You just know this is so. But the big question is, do the Lord of the Rings costumes ever come off? When back in their winter quarters, do these men and women put away their amazing Technicolor dream life and rejoin us mere earthlings, or dive deeper into the wardrobe and dust of the wolf and bear skins for the stroll down to Tesco’s? I like to think they do. In the meantime, may the force go with you, you brothers and sisters of Albion. Or is it Rovers?













