
Years back, the joke used to be that when you wanted to prompt overstaying guests to leave a party, it was time to stick on some Leonard Cohen. Oh, how times have changed. Yesterday, on a cold, mournful, grey, wet July evening in Weybridge, Leonard Norman Cohen, the one–time prophet of gloom, held an audience of thousands in his spell and had them on their feet calling and stomping for more as the rain dripped from their smiling faces.
At 75, Cohen was at the top of his game. Backed by a band of sublime musicians and singers, his golden voice tracked the history of what began as a reluctant life in song. Already a published poet, in 1967 he released an album titled ‘The Songs of Leonard Cohen’, which sought to join the bandwagon that had been set in motion by the likes of Baez and Dylan around the time Cohen had completed his first novel. This first collection of his songs divided opinion, that to those who were around at the time, can still persist today. The question, ‘Do you like Leonard Cohen?’ was loaded. ‘Yes’ meant that you were a sad, suicidal depressive who stayed in a lot. ‘No’ meant that you hadn’t really listened.
The technology of the day didn’t help. When I first bought a copy of ‘Laughing Lenny’s’ greatest hits on CD, I discovered an audio experience that had been denied me from years of hearing his music as a thin, scratchy, treble sound that strained through the tiny speakers of assorted clapped-out Dansettes. At the same time that CD’s revolutionised listening habits, Leonard also began a musical renaissance. With the high baritone voice of earlier years evolving into a bass baritone, he encompassed pop, cabaret and world music into new songs that were accompanied by electronic synthesizers and female backing singers. The album ‘I’m Your Man’ signposted this turning point.
Twenty years on, no longer a man of middle age, Leonard could have been forgiven for seeking quieter times. But with the discovery that his amassed pension pot had been systematically ripped off by his once trusted manager and agent, he finds himself back on the road, working for a living. But if he’s bitter, it doesn’t show. Last night, with a smile, he sang his songs for over two and a half hours with the rain pouring and chill wind blowing. The drenched crowd besought three encores. And when they finally let him go, Leonard Cohen, novelist, poet, musician and songwriter, skipped like a boy from the stage to claim his rightful place in the tower of song.